Akbar

The Akbar blog is designed to share information about the stage and screen acting of Sevîn Ákbar. This is a place where the admirers of his work can gain more insight into a particular performance. If there is a project in particular that you have questions about you may email him directly at summerhill7@yahoo.com and he will post the reply on this blog. He genuinely appreciates your love for the art of acting and consequently enjoys sharing his talents with you.

Friday, October 13, 2006

CURRENT PROJECTS


Sevin Akbar as Lord Summerhays

IN

Misalliance

By George Bernard Shaw
Directed by Ethan McSweeny
Performed in the CFA Studio Theatre

“I do so want something to happen.”

Feisty disagreements between parents and children are inevitable, particularly when discussing mating, marriage, morality or the proper care of guests who literally crash through the conservatory ceiling. Shaw’s marvelous comedy finds John Tarleton, the underwear king, and his independent-minded daughter, Hypatia, tangling with a passel of guests—both invited and uninvited—and with a parade of hilarious debates revolving around the superiority of the female sex, the state of social class, and the madness of love and lust. Hypatia is restless with her engagement as the play starts, even as it is revealed she has also had a proposal of engagement from her betroved's father, Lord Summerhays, who has been awarded the honor of Knight Commander of the British Empire (KBE) for his leadership role in the far-flung British Empire. She has no desire to be a nurse to the elderlywidow. She longs for some adventure to drop out of the sky, and it does.


Wednesday November 29 7:30 pm

Thursday November 30 7:30 pm

Saturday December 2 2:00 pm

Sunday December 10 7:30 pm

Wednesday December 13 7:30 pm

Friday December 15 7:30 pm










Sevin Akbar as Summer Hill Seven

Shakespeare N. Haarlem

December 28 - 30th, 2006
Nuyorican Poetry Cafe
NYC
To Purchase Tickets Now select:

Shakespeare N. Haarlem Alive!

For tour dates and/upcoming performances click Here

or

For bookings email us at summerhseven@yahoo.com





To purchase Summer Hill Seven's latest book click here ----> HANG TIME!


Sevin Akbar as Lincoln
in
Topdog/Underdog

By Suzan-Lori Parks
Directed by Walter Dallas
Performed in the CFA Studio Theatre

Mesmerizing dialog, tantalizing rhythms and the disturbing use of cultural icons make this Pulitzer Prizing-winning play an absolute “Must See. Brotherly love and hatred take center stage with the sardonically named Lincoln and Booth, siblings trapped in society’s racial and gender pigeonholes. Lincoln, a former con man and Three Card Monte sharp, gave up the card con and now works at a carnival, dressing up in whiteface as Abraham Lincoln, primed for fake assassinations. Booth has taken up his brother’s old vice and is attempting to lure Lincoln back to the street. Both frightening and funny, the unsettling allegory and brilliant wordplay will have you checking your stereotypes and your wallet as you leave the theatre.


All shows currently sold out. However to be added to the list - email me at summerhseven@yahoo.com immediately.



Adult situations and language; for mature audiences only.


Tuesday April 3 7:30 pm

Wednesday April 4 7:30 pm

Thursday April 5 7:30 pm

Friday April 6 7:30 pm

Saturday April 7 2:00 pm

Saturday April 7 7:30 pm


















To purchase Summer Hill Seven's latest book click here ----> HANG TIME!

Summer Hill Seven created poemedy - a lyrically poetic storytelling form where the past meets the present to create poignant, passionate theater for today and tomorrow. Hang Time! is for tomorrow.

David Lamb,

Writer/Producer

Platanos & Collard Greens

This is a profound work of art by a very talented and gifted poet. I highly recommend it to all who appreciate the spoken and written word.

Sekou Molefi Baako,Executive Director,

Langston Hughes Community Library and Cultural Center-Queens Public Library

President, Black Caucus of the American Library Association

Summer Hill Seven’s ebullient “neo-beat-hip-hop” verse explodes from the page to the stage with a powerful multicultural message! Delightful!

Phil Hubbard,

Chair of Performance Studies Department

University of Nevada Las Vegas

Summer Hill Seven is an exceptionally gifted writer and performer whose work is both entertaining and thought provoking.

Sanford Robbins

Director, Professional Theatre Training Program

University of Delaware

Fiercely powerful!

Jennifer Weaver

Daily News of Southern Utah


To purchase Summer Hill Seven's latest book click here ----> HANG TIME!



Labels:

Monday, November 21, 2005


Sevin Akbar Posted by Picasa


Sevin Akbar Posted by Picasa


Recent Headshots Posted by Picasa

Wednesday, August 24, 2005

Actor Resume

Sevîn Ákbar
SAG
cell: 917-251-4815
summerhill7@yahoo.com

Height: 5’11”
Hair/Eyes: Black/Brown
Weight: 170

Film
Jack for President - Jack(lead)
Blackbird Films, NYC

Relative Changes - Chris (lead)
Jan 580 Productions, Los Angeles

The Unknown Soldier - Reporter (principal)
Promised Land Productions, Los Angeles

Black Girl - Father(principal)
Promised Land Productions, Los Angeles

Television/Industrials
Open Mic - sponsor
GP Productions/Corum Productions

Cold Cases - Moody Owens
Kanter/Brownlee, Discovery Channel

ATT/G.I.S. - Executive
Multiimage Productions, San Diego

Queens Supreme - Court Employee
eye Productions Inc., NY

TV Land Infomercial - Multiple roles
33 1/3 Productions, TVLand

Commercials: Conflicts upon request.

Theatre
National Tours

A Soldier’s Play - Ellis
Daedelus Productions (Bus & Truck)

Spell in the Well - Various
Shoe String Players

Shakespeare N. Haarlem - One man play
SummerHill Tours

Platanos & Collard Greens - Director/Pops
Between the Lines, Inc.

New York
Shakespeare N. Harlem - One man play
Nuyorican Poets Café, NYC

Auction Block/Hip-Hop - Director/Set
The Producers Club, NYC

Platanos & Collard Greens - Director/Pops
The Producers Club, NYC

The Seagull - Shamraev
Drama Committee Repertory Thtre, NYC

Glance at NY - The Major
Drama Committee Repertory Thtre, NYC

Only for a Moment - Chris(lead)
National Black Theatre, NYC

Sing on Ms. Griot - Ananse (lead)
National Black Theatre, NYC

Last Leg - David (lead)
KeNaa Productions, Brooklyn, NY

Daydreams - Frank (principal)
Sande Shurin Theatre, NYC

Othello (staged REading) - Othello
The Producers Club, NYC

Regional
Love’s Labour’s Lost - Marcade/Forrester
Utah Shakespearean Festival, Cedar City, UT

Dr. Faustus - Gluttony/1st Scholar
Utah Shakespearean Festival, Cedar City, UT

Much Ado - Leonato/Friar/Sexton
University of Delaware, PTTP, Newark, DE

The Three Sisters - Chebutykin/Ferrapont
University of Delaware, PTTP, Newark, DE

The Advocate - Blakeslee
12MW Theatre Company, NJ

Spell in the Well - Various
Cincinnati Playhouse in the Park, OH

The Old Settler - Husband
The Phoenix Theatre, IN (Regional Premiere)

Training
acting
Nina Murano Studio - Meisner Technique I/II
Gene Lesser - Scene Study (SUNY Binghamton)

voice
Robert Perillo - Voice/Speech

movement
Mona Sulzman - Alexander Technique
Richard Cuyler - Circus Technique

directing
Laurence Holder - Stage Technique
John Lisbon Wood - Advance Technique

Education
Richard Stockton College, NJ - BA
New York University (School of Law) - JD
University of Delaware (MFA Candidate) - PTTP

Special Abilities
Accents: Spanish, Arabic, African, Russian, Irish, British and Urban. Basketball, Football, Karate, Swimming, Boating, Canoeing, Dancing, Juggling, Stepping, Poetry and Writing (Author of Notes of a Neurotic!). Alpha Phi Alpha Fraternity.

Monday, March 14, 2005

Leonato get's a compliment! Wherefore?

I'm performing in my first Shakespearean play (Much Ado About Nothing) and my director gave me my first compliment today. I'm doooomed to failure now for sure. :-)

Wednesday, January 19, 2005


Dear Hill Harper:

You might not remember me but I am your biggest fan. No, probably not really. But we have met on several occasions. I just figured that would be a good way to open the letter. Although - I am definitely a fan. I enjoy your work and since you “blew up” (whatever that means right?) I kept saying that I would write you a letter. I never did. I enjoyed immensely your performances in the Visit, Get On the Bus, He Got Game and many many more. In fact, I don’t recall ever seeing you give a performance that I was not excited about.

My only complaint is that you have been taking all my work. I have not seen you since we both worked on that Amiri Baraka play - The Toilet and The Dutchmen in Los Angeles. I often wonder - would I remember something like that once I “blew up”? When I “blow up” will I remember every single actor that has crossed my path in the course of my career? Why would I want to remember them? Why not? I’m just asking - because I don’t know what it’s like to “blow-up” since you keep taking a brother’s jobs.

Now of course, I know I am not the first brother to accuse you of stealing his work but I think my claim is pretty strong. We are what they call in economics - “substitute goods”. You may recall, that coffee and tea or chicken and turkey are considered to be “substitute goods” for the purpose of certain economic models. As you may also recall, if you recall me at all, that we both studied public policy at the Woodrow Wilson School of Public and International Affairs at Princeton University. Neither of us graduated - but I did attend for a year. I think you only attended for a summer. We both graduated from a “top ten” law school. If I recall correctly NYU Law School was not technically ranked higher than Harvard when we were in school, but everyone quietly agreed that it was a better school. I don’t think you were as active in the National Black Law Student’s Association as I was - I was the National Director of Community Service. When I was in school we established the first annual Nelson Mandela Scholarship Dinner and provided six undergraduate students with scholarships for law school. So we have similar resumes - if you will.

In some ways we are different of course. I’m taller - but people like you easier and faster. I remember you telling me once that you had never taken the bar exam but I am admitted to practice in California. Have you ever taken the bar exam? Will you ever take the bar exam? I’m also surprised you have not written a book or a play…I know you must have some great stories to tell and I also know that you would tell them well. I just published my first book - notes of a neurotic - under my pen name, which coincidentally is “Summer Hill Seven”. Isn’t that interesting? Since, I have also continued to act since we last met it is not uncommon that I have had occasion to have conversations about you.

In fact, one of your law professors is the best friend of one of my law professors. He suggested that I was making him look bad since I had not “blown-up”. Well, perhaps that’s what I heard…he actually said - “Did you know that Hill Harper was one of Tree’s students?” Of course, I looked at him like he was crazy because he and I saw the Visit together (you made him cry with your portrayal). I enjoyed the performance but I couldn’t get past that “you-took-my-job” factor. I know you know about that better than I do - by the way, I really really dug your performance in “Andre Royo’s Big Scene” or something like that…a short film that was in this past year’s Urban Film Festival. You were very scary. Usually, when I see you in “tough guy” roles - there is a credibility gap for me because our paths have crossed. I still remember you as the double ivy league dude.

Yet I always have nothing but positive things to say about you and your work (maybe I should say my work that I lent you). There is something to be said for being a decent person and a talented actor. I have not met a single person that knows you that doesn’t think you’re “the most”. We have plenty friends in common - or a couple of degrees away…like Victor Williams and Michael Jayce (I know you gotta know them); and in the educated Negro circles which I’m sure I frequent less than you…it wouldn’t take long for us to connect to a common and close friend. Yet you have “blown-up” and I can’t get arrested in real-life or on TV. I can’t even get casts in the most stereotypical role available to a black men - drug dealers, pimps, hustlers - you know the fun characters. I’m kinda joking and I’m kinda for-real. I know how hard you work to get your work and then to deliver a strong performance - so know that I only jest when I say that you stole my work. I’m very proud of your work as a fellow artist and more importantly, I am inspired by your work.

Actually, I have nothing to complain about with respect to my art - I have been primarily trying to make you laugh - I’m cast as Leonato in a production of Much Ado About Nothing at the University of Delaware’s Professional Theatre Training Program. I’ve never done a production of a Shakespearean play, so I’m really looking forward to tackling “the bard” as the white folks say. I’m very excited about it - in fact I should be working on it now instead of writing this letter to you that you may never read.

The challenge in modern society is that communication is funny. I could send this letter to you at some address - I think your publicist’s address is where you receive your mail. You may or may not get it that way. I figure with the advent of the blog -why not work on two things at once - one of which I have absolute control over, viz. the writing of my memoirs and the other which I have no control over viz., whether you read my “I knew you win letter”. I love I “knew you when stories” - (hey, great idea for a reality show). I know people are fascinated by some of the crazy things that we actors do…especially guys like us (whatever that means) to pursue our art. I hope I get to hear or read some of your stories.

I don’t know what type of juice you have in Hollywood…if you don’t - don’t worry, I have no doubt you will. I do know your name in a film means something to an audience. I imagine Hollywood is still taking you through hoops but as long as you are happy then keep doing it! That’s why I ultimately stopped practicing law and became a full-time artist because I got to the point where nothing else made me happy.

I want you to know that people love the characters that you make available to them. Of course there are a lot of people that you want to work with, but it would be a real treat for me to work with you cats whose path hasve crossed mine and whose work I really dig like, Victor Williams, Michael Jayce, Shabaka, Elise Neals, Alan Payne (his cousin was in my class at NYU) and then like you know some super-duper star - short list: Mr. Washington, Mr. Smith, Mr. Jackson, Mr. Freeman, Mr. Deniro, Mr. Pacino. Naturally, as a writer I have at least three stories in three different genres that would know how to utilize a cast like that. So when I’m in position to afford you - you’ll get a more direct communication - if you know what I’m saying.

Because, I like nostalgia as much as the next guy, but um, I’m about my paper too. My book sets out several different types of film scenarios in addition to the overarching theme of the book - which quite frankly is a story about a character that only you or I could really bring to life and find the depth and dimension. So if you have occasion to check it out and have some interest, holla at a brother. My favorite thing to do these days is to quote myself - I can’t resist the opportunity to plug my book by concluding with a quote that I think summarizes what I’ve been trying to say in this letter:

In the meantime
And the between-time
And down time
I’ll be here in the back.
I ain’t worried. I can act.
I ain’t hurried. I can fight.
I can read. I can write.

Notes of a Neurotic!
Summer Hill Seven
Page 75.
AuthorHouse 2004


Do you remember we had to learn all that junk about how to cite a book properly in a brief and other types of legal documents? The “Blue Book” and the University of Chicago citation method. I made this cool short film that you would appreciate entitled “A Poet’s Pilgrimage” about a guy who drops out of law school to become a poet.

Well, if you are reading this letter you probably have figured out who I am and you certainly know how to get in touch with me. I have every intention of working with you. Just as soon as I can get to you to stop stealing my work.

Peace, love and continued success,


Summer Hill Seven

 Posted by Hello

Monday, January 17, 2005


We directed Platanos and Collard Greens which was a result of my first one man play: Shakespeare & Harlem. In the photo is my dog - one of the hottest undiscovered acting talents in the city. He produced the first offoff broadway play that I did after completing my Meisner training. We performed opposite each other in DayDreams at the Sande Shurin which opened August 8th, 2002 almost exactly one year after the world trade center was destroyed. Once we discovered that we were both Geminis we became fast friends and collaborators. He graciously volunteered to perform in the first Annual Shakespeare N. Haarlem Theater Festival we held December 1 - 7, 2003 where we unveiled the world premiere of the one man poemedy of the same title - now available for sale on DVD. Posted by Hello

Friday, January 14, 2005

Alim Akbar is no more!

Alim Akbar

welcome

See www.neuroticnotes.blogspot.com